Welcome to the LOUDEST DOT COM ON THE PLANET!
KNAC.COM News Reviews and More Watch The Latest Videos Buy KNAC T-shirts and More


Life In Colored Sands: The Maestro's Interview With Luc Lemay Of GORGUTS

By Damian J. Cousins aka "The Maestro", Dallas Contributor
Thursday, March 20, 2014 @ 4:10 PM


"For all the U.S. tours I could never wait to get to Texas. People are nice and they love their metal."

- advertisement -

- advertisement -
Earlier this year I was able to chat via Skype with GORGUTS mastermind Luc Lemay. I wanted to share this with you guys now since the DECIBEL MAGAZINE TOUR kicks off this week, with a stop at Trees Dallas this Friday night. As a new fan of the band I really had no idea what to expect. What I got was a very smart, very engaging guy who is well-versed on a great many things musically and otherwise, and I feel like I learned more about the band in this one call than I could have from any number of websites. This was really cool, guys. Check it out:

KNAC.COM: OK...first thing. From out of nowhere on this new record Colored Sands comes "The Battle Of Chamdo" which I loved. What inspired that?

LEMAY: Well the plan was to break the record in two halves. Instrumentally I wanted to take distortion, drums, and all the technical metal orchestration out of the listenerís ear, because if you listen to pounding drums and guitar for over an hour at some point it saturates the ears. This brings different colors and also this piece is very important to the concept of the record in a sense that Chamdo is the place where Tibet lost the war against China, lost their independence. Everything happened there. The song has a different personality.

KNAC.COM: I am brand new to GORGUTS, so all I know of you is what I've read. Tell me something about you that I CAN"T find online in this age of Wikipedia and google.

LEMAY: Hmmm, a lot of sites have talked about the band, what can I say (laughs)? Thereís a lot of information on all the records. On the first two records we were more of a typical death metal band, and I think the reason for that is because in art you learn by imitation. You know, walking, talking, drawing, speakingÖso if you take it to the craft of writing death metal songs those two records, I like them but I think the real identity of the band started with Obscura. Thatís where we found our own language, our own identity and personality, aesthetic-wise. We consciously wanted to get rid of all the death metal instrumental clichťs, and I donít like that word. I mean, painting can have its own clichťs, but a paint stroke is a paint stroke. We just wanted to get rid of what we did on the first two records: fast picking, SLAYER-beat drumming, etc. Of course we kept the guttural vocals but we worked on finding a new language on the stringed instrument more. Even the drumming is not typical. Our attitude was ďLetís do everything we donít know.Ē By forcing ourselves out of our comfort zone we came up with a new way to write. And I think Colored Sands is an extension of that new language found on Obscura.

KNAC.COM: Looking forward to this run which starts in March? You're playing here in Dallas on the 21st, third show of the tour, and I will be there! My first GORGUTS show!

LEMAY: (Laughs) Oh, totally! Itís been awhile. We did a short east coast tour just before Christmas, but we havenít played in Texas or anywhere in the South for a long time, over 10 years. It will be great to play shows with some new music. Thereís nothing wrong with the old material but now itís time to play some new stuff. We always had great crowds in Texas; theyíve always been so great to us so it will be good to play there again.

KNAC.COM: Thatís because the metalheads here are insane! (Luc laughs) The new record was very well received last year. The new guys, were they like an injection of new life? How was the writing and recording process?

LEMAY: Oh, totally. They are great artists. Theyíre super-creative, amazing players and performers. So when I decided to have each of them in the band it was totally because of their talent. It was very stimulating for me to have new players because I would write a new song here in Canada and send each of them an mp3 of the song from start to finish with a click track. Next thing I knew a couple weeks later I would get the song back and Colin (Marston, bass) would have all his bass tracks written and Kevin (Hufnagel, guitar) did the same on guitar. John (Longstreth, drums, since departed at press time) and I shared the writing of those parts and sometimes heíd throw something at me that I never would have thought of so they were a big part of the sound of the record. Itís important to me that everybody leaves his fingerprint and personality on the writing. We kept 99% of everything, you know? And it was written very spontaneously.

KNAC.COM: Believe it or not, I've really been enjoying Colored Sands while I'm at work. I find it oddly soothing, is that weird?

LEMAY: Well, I think itís a record that has, compared to previous ones we did, the songs are longer and more transparent-sounding. Itís more flowing from an instrumental listening point of view. I can totally understand what you mean. I see the whole record as a whole story with each song a chapter. Everything connects well together and it flows. Maybe thatís the calming aspect.

KNAC.COM: What's next for GORGUTS? Whatís the plan for next few years?

LEMAY: Play as many shows as we can. Go out and share the music live with the fans as much as we can and then write more music.

KNAC.COM: OK, so youíll give us more music. Thatís what I wanted to hear.

LEMAY: Oh yeah, definitely new music for sure. Iím in a very, very happy spot right now, for sure.

KNAC.COM: What do you like to do to unwind away from music?

LEMAY: You know, if I donít have to write music, Iím not gonna. Other than that I enjoy woodworking, I like working with my hands. For the past 10 years Iíve done a lot of carving and building custom furniture. But now I kind of put that on the side because the band is taking more of my time. And I want to get back to writing some classical music. This I miss a lot, itís what I would do if I wasnít writing metal music. I just got myself an old piano and I have to get the old guy tuned. Iím looking forward to writing more classical music when Iím not on tour for the next year or so.

KNAC.COM: What's in your CD player/iPod now?

LEMAY: Oh, all kinds of stuff. I listen to a lot of metal, but Iíve been buying a lot of metal records since spring of 2013 and lately I didnít know what to listen to. Slowly Iíve been going back to solo piano music and been listening to some Claude Debussy pieces.

KNAC.COM: Do you have anything youíd like to say to the GORGUTS fans?

LEMAY: First, that I canít wait to play in Texas again! I have many friends there and I love the landscape there. For all the U.S. tours I could never wait to get to Texas. People are nice and they love their metal. And Iím looking forward to getting back out to see all our friends in the States!

Like I said, Luc Lemay is one interesting guy. Be sure and pick up Colored Sands if you havenít already, and catch the DECIBEL MAGAZINE TOUR featuring GORGUTS, CARCASS, THE BLACK DAHLIA MURDER and NOISEM in a city near you!

Pick up your copy of Colored Sands in the KNAC.COM More Store right HERE.

Check out Damian's website at www.ampsandgreenscreens.com!


Back to Top

 

 

 Recent Features
Rise: An Exclusive Interview With HOLY MOTHER
Defiance: An Exclusive Interview With TINO TROY Of PRYAING MANTIS
Wheel Of Illusion: An Interview With ROGER NILSSON Of THE QUILL
Guitar Drama: An Exclusive Interview With Guitarist MARTY FRIEDMAN
Always Believe: An Exclusive Interview With GIANCARLO FLORIDIA
From Hell I Rise: An Exclusive Interview With Guitarist KERRY KING
Light 'Em Up!: An Exclusive Interview With Guitarist DOUG ALDRICH Of THE DEAD DAISIES
JUNKMAN Recaps The 2024 'ROCK FOR RONNIE - Year Of The Dragon' Benefit Concert
Tattoo Me On You: An Interview With LEE AARON
A Symptom Of Being Human: An Exclusive Interview With BARRY KERCH Of SHINEDOWN
Beyond Shadowland: An Exclusive Interview With ROBERT BERRY Of SIX BY SIX
Fear No Evil: An Interview With REX CARROLL Of WHITECROSS
Cold Sweat: An Exclusive Interview With Guitarist MARC FERRARI
Atomic Klok: An Exclusive Interview With Drummer GENE HOGLAN
No Crown In This Dead Town: An Exclusive Interview With HANNAH CUTT
Rome Wasn't Built In A Day: An Exclusive Interview With DEREK DAVIS Of BABYLON A.D.
Humanoid: An Exclusive Interview With WOLF HOFFMANN Of ACCEPT
Banished By Sin: An Exclusive Interview With GLEN BENTON Of DEICIDE
KEELWORLD: An Exclusive Interview With RON KEEL
Pollen Meets The Blacktop: An Exclusive Interview With MATT JAMES Of BLACKTOP MOJO
Reunited: An Exclusive Interview With RENA PETRUCCI, YAEL RALLIS Of MEANSTREAK
40 Years of Rage: An Exclusive Interview With PETER "PEAVY" WAGNER Of RAGE
The Storm Cometh: An Exclusive Interview With MATT PIKE And JEFF MATZ Of HIGH ON FIRE
From The Archives: JUNKMAN's 2011 Interview With DAVID COVERDALE
DJ WILL Recaps The 2024 HELL'S HEROES VI Festival
From Houston To Vegas: An Exclusive Interview With MARK KENDALL Of GREAT WHITE
Let There Be Anarchy: An Interview With JEFF SCOTT SOTO Of ART OF ANARCHY



HOME | MAGAZINE | VIDS | STORE | HELP/POLICIES

©2024 KNAC.COM. All Rights Reserved.    Link to us    Advertise with us    Privacy policy
 Latest News