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![]() WEAPONS OF ANEW The Collision Of Love And Hate ![]() By Peter Atkinson, Contributor Tuesday, February 6, 2018 @ 9:53 AM ![]()
Yet, oddly enough, WOA sound like none of the above. The band's debut album has a decidedly modern rock/groove metal sound with nary a ballad to be found – sorry HUMPERDINCK fans – although the mellow/crunchy back and forth and earnest theme of “This Moment” does come close. The bulk of The Collision Of Love And Hate, though, is built around ex-HAVOCHATE guitarist Freddy Ordine's resounding hooks and the hulking rhythms of bassist Stefan “Reno” Cutrupi and drummer Chris Manfre.
The material here is meaty and catchy in equal measures, with Murphy's bold, resonant production all but guaranteeing maximum impact. At the same time, it's studiously anthemic construction and delivery has a rather familiar feel, which should easily connect with fans of DISTURBED, BREAKING BENJAMIN, SHINEDOWN, 10 YEARS, ALTER BRIDGE, etc., yet perhaps be quickly dismissed by those who aren't.
I almost made that mistake. But there's more going on here than just your average “butt rock,” and that becomes apparent with additional spins. While the band's approach may seem calculating, its flair for muscular, engaging melodies is undeniable, and it's all but impossible to not bob your head along to any of the eight tracks here.
Norris came onboard only recently, so Ordine apparently handled all the guitar work here. But with nifty harmony guitar lines already built-in throughout, it will be interesting to see where these guys can take it going forward – provided Norris isn't merely a placeholder/fill-in as he has been in a number of bands already. A bit more technicality and a true tandem-guitar attack could really take WOA to the next level. As it is, the band is off to a reasonably solid start with The Collision Of Love And Hate. The album has enough going for it to overcome its shortcomings and give WOA its own little spot of turf on an already crowded playing field.
3.0 Out Of 5.0
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