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ICARUS WITCH Goodbye Cruel World By Daniel Höhr, European Correspondent Monday, October 15, 2018 @ 6:51 AM
And indeed, without any warning the killer riff of the opening title track punches you in your stomach just as much as in your face. It is not just vocalist's Andrew D'Cagna's voice that sort of reminds me of QUEENSRYCHE singer Todd La Torre, the song is pretty much in the style of the last QUEENSRYCHE album, Condition Hüman. Regardless of the question of whether or not there has been some legit cross-fertilization, on each of the ten tracks on Goodbye Cruel World, ICARUS WITCH prove that they play in the same league as the present-day QUEENSRYCHE.
Enough comparisons, this album does stand on its own feet as almost each song is a blast bursting with ideas, power, and originality. Thus it is difficult to single out any highlights. The sinister and catchy “Misfortune Teller” is slowly but surely becoming my favourite track on this album. “Lightning Strikes”, with its refreshingly dissonant guitar chords and its development to a STRYPER-style chorus complete with harmony vocals and everything is a real blast. Its guitar solo is certainly among the finest lead guitar work on this album. “Mirage” is a 50-second filler and, well, the album wouldn't suffer without it. Fast forward to “Through Your Eyes”, a heavy mid-tempo number and one of those on the album that shows a distinct alternative rock influence. Once again, killer lead guitar work by Quinn Lukas. “The Flood” is ICARUS WITCH's first instrumental, cleverly arranged and showcasing the musicians' top notch skills. Even though instrumentals
Goodbye Cruel World is a straightforward traditional, but at the same time refreshingly modern heavy metal album, which will not only appeal to MAIDEN and PRIEST fans but also, thanks to its melodic richness and appealing arrangements, to AOR and melodic rock connoisseurs. It was definitely worth waiting for this album for six years. ICARUS WITCH are not only back but are now playing in a higher league. 0.1 point deduction for the unnecessary “Mirage”, so 4.9 for this otherwise awesome album.
4.9 Out Of 5.0
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